BOOM. I’m back.

Two truths and a lie, and then a bunch of links:

1) Working on an early draft of a novel is boring.

2) There is a place in my town that sells “drinking chocolate” that is right across from our main library branch.

3) I returned all of my library books on time, as I always do.

 

First Draft in 30 Days is a how-to book that will, in theory, help you crank out a highly detailed outline that can be gently jostled into a first draft. I found it worth the trip to the library, and suggest you give it a read through if you have trouble organizing your plot.

Scared Yet remains a fantastic study of scary stories and if you haven’t discovered Kris Straub yet then you are just flat missing out.

She Walks In Shadow will hold open submissions for their Lovecraft inspired anthology. The submission pool is open to female-identifying authors only, and they will start taking submissions in November.  I want to submit to this real, real bad so we’ll see what sort of Lovecraft vibe I can shake out of my brain. What I don’t know about eldritch horrors I can make up for in a weirdly expansive collection of man made industrial incidents and I have all sorts of thoughts on how closely the two are related.

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Scared Yet? A Study in Horror

Found a cool thing and I’mma share it with you! I’m like a golden retriever that brings back websites instead of sticks.

I highly recommend that you check out the video series “Scared Yet” by Kris Straub. Straub is the author/illustrator of the ongoing webcomic Broodhollow (excellent) and the notorious creepy-pasta “Candle Cove” (also excellent). In this serious Straub takes on the task of studying the more popular scary stories that have spread throughout the Internet, dissecting both their intent and construction to determine if the piece is a success or failure.

 

 

“Scared Yet” is a great resource for writers, regardless of how invested they are in the horror genre. It’s a great way to see how stories attempt to evoke a specific reaction from their audience and how it can go both wrong and right. Straub is respectful in his critiques as he seeks out weak stories not to shame their creator, but to show the flaws in its execution and where it might be improved. Pacing, believability, and what an author can and cannot expect of their audience are discussed in a broad sense that is not aimed towards authors but an author can certainly gleam some good information from each episode.

Go check it out!